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1 | Madder | 12:54 |
| 2 | Minus | 9:55 | |
| 3 | The Fuse | 4:09 | |
| 4 | Family | 7:58 | |
| 5 | Off & On | 6:41 | |
| 6 | Stacked | 6:23 | |
| 7 | The Bomb | 8:32 |
All members of the OTO family in their own right, the group casts Blumberg’s songs as through-ideas to weave four threads around. New material from their forthcoming album Minus - out 4th May on Mute Records - heard for the first time here.
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Daniel Blumberg / steinberger guitar, piano, harmonica, voice
Ute Kanngiesser / cello
Tom Wheatley / double bass
Billy Steiger / violin
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Recorded live at Cafe OTO by Shaun Crook on Wednesday 28th February 2018. Mixed and Mastered by Marta Salogni. Drawing by Daniel Blumberg. All songs written by Daniel Blumberg and published by Mute Song Ltd.
Daniel Blumberg is a London-based composer and artist. He is best known for his Academy Award and BAFTA winning score for The Brutalist (dir. Brady Corbet, 2024). Most recently he composed music for The Testament to Ann Lee (dir. Mona Fastvold) and Sotto Le Nuvole (Pompei: Below The Clouds) (dir. Gianfranco Rosi). He has released four solo albums on Mute and is a visual artist who draws with silverpoint with a forthcoming exhibition on show at Balice Hertling, Paris.
Billy Steiger is an artist working across performance, recording, drawing, and printmaking. This work often takes systems of reproduction, transmission and mediation as both material and subject.
Active/upcoming solo projects include:
- a proposed (re)history of technology, using the vibrating string as framing mechanism.
- an album of modified pipe organ recordings, to be released by OtoRoku in 2027.
- an ongoing investigation into audio compression algorithms and the artefacts and loss inherent to digital/analogue boundary states.
Active group projects include:
- O Yama O (w/ Keiko Yamamoto, Rie Nakajima, Marie Roux)
- X-Ray Hex Tet (w/ Paul Abbott, Edward George, Crystabel Riley, Pat Thomas, Seymour Wright)
- Portraits (w/ Daniel Blumberg, Seymour Wright)
Completed(?) solo projects include:
- composing and recording the score for Stacy Martin's short film Amaretti
- Box (for EKM) for piano and string quartet, premiered by Apartment House in 2024
- Loud Object, a 2023 violin record.
Tom Wheatley (b. 1991, London) is a composer and improviser, operating in the fractious and fertile interfaces of acoustic and digital sound, extending instruments via technique and technology. Beginning with the double bass, he also works with synthetic sound and processing, and plays a wide selection of instruments in collaboration with a broad range of performers and instrumentalists, from long-standing duos to one-off improvisations.
His score as composer for Giulio Bertelli’s striking debut feature film Agon (2025) was released in 2026 on PAN records. Winner of the FIPRESCI Prize (International Federation of Film Critics), the film is a triptych of three female athletes preparing for a fictional Olympic games. Straddling fiction and documentary, the score reflects the film’s hyper-focus on the gesture of sports performances, each protagonist mirrored by an instrumentalist: fencing with cellist Ute Kanngiesser; rifle shooting with saxophonist Jean-Luc Guionnet, and judo with percussionist Seijiro Murayama, with his bandmate Grundik Kasyansky on electronics and Harry Gorskí-Brown on bagpipes completing the chamber group.
Prior to Agon he worked on scores with award-winning composer Daniel Blumberg, including the Oscar and BAFTA winning score for Brady Corbet’s The Brutalist (2024), as well as director Mona Fastvold’s The World to Come (2020), and The Testament of Ann Lee (2025), for which he played viola da gamba and other early European string instruments.
His active projects as a musician centre around the duo Tennota with Grundik Kasyansky, formed in 2019. Once described as ‘half techno, half free jazz’, the project is about the generative friction between physical and digital arenas. They take primary materials – gut strings, sine waves, tree sap, feedback – and engage them with contemporary technologies, towards a taut and nebulous rhythmic language. They have released albums on Accidental Meetings, Cafe Oto’s TakuRoku, and most recently a collaboration with artist and musician Rosa Anschútz on Meakusma.
Other projects include an ongoing collaboration with Italian fashion project GR10K. Among their collaborations was Stringent Manners, a performance at Auditorium San Fedele for the launch of GR10K SS25: Nine Pounds of Dead Landscape. Wheatley worked on musical direction, performance, and co-composition with Andrea Slaviero, choreographing students from the Milan Conservatory as both models and instrumentalists for this ambitious six hour piece, which harnessed the students boredom and frustration to shape the performance.
Growing up in a multi-generational family of musicians, he is a seasoned instrumentalist. Over the years, he has collaborated and performed with stalwarts and luminaries of contemporary music, including Eddie Prévost, Billy Steiger, Ute Kanngiesser, Adam Christensen, Jim White, Okkyung Lee, Evan Parker, Ilan Volkov, Steve Noble, Sachiko M, and John Edwards, with releases on OtoRoku, Matchless and Earshots.
Ute Kanngießer is a London based cellist and composer from Germany. Over the years, she has carefully deconstructed her classical roots and almost exclusively performs unscripted, improvised music - solo and in collaboration with others. Much of her work has evolved in relationship with other art forms such as film, poetry, and site specific work. She is interested in the vast expressive possibilities of her instrument in relation to body, space, and others, always looking to rediscover or redefine what is musical/lyrical in this moment in time.
Recent collaborations have been with Paul Abbott, Tom Wheatley, Theodora Laird, Nik Colk Void, Okkyung Lee, Caius Williams, Bo-Sung Kim, Steve Noble, Kenichi Iwasa, and Phil Minton. She has also performed alongside poets Denise Riley, Nathaniel Mackey, Evie Ward, and Zara Joan Miller.
